Concept and redesign of the drinks menu for Waranga Club in Stuttgart.

2015

The publication «Governance. Democracy. Delete.» is a 600-page pre-Snowden attempt to capture, structure and contextualize the political, economic and social dimensions of the debate on the future of the Internet with Twitter one-liners and linked material. The book, which should be considered a part of the open source movement, is set exclusively with open source fonts and intended to appear as a monthly print-on-demand edition.

«The jury was impressed by this massive-looking book. The charming but bold and straightforward typography adds up nicely to the crucial topic. The analysis of a collection upgrades the weight of tweet to a threatening-looking history book. The power of design!» —Hansje van Halem

Further reading: http://www.form.de/en/news/isabel-seiffert-governance-democracy-delete

2013

Visual identity for a beauty salon with logotype, flyer system and website. Its key components are a centered division of the format, a custom typeface based on the client’s former typeface ‚Super Grotesk‘ and a colour concept inspired by skin tones.

The website was programmed by Kollektiv Süd.

2015

Referring to the key features of the book «Not the End of Print», a rectangular shape, bold typography and the two main colours, form the base for the design. To mirror the gilt edges of the book, the poster was printed on the golden side of a rescue blanket.

http://100-beste-plakate.de/plakate/not-the-end-of-print/

2014

A publication on why graphic designers publish independently and what role «print» plays in this regard. A research and design project published by Merz Akademie Publikation (https://www.facebook.com/merz.akademie.publikationen).

Read about it on It’s Nice That: http://www.itsnicethat.com/articles/isabel-seiffert

Purchase here: http://www.slanted.de/shop/not-end-print

2011/2014

Logotype, business and care card for a young textile company based in Los Angeles.

2015

Waranga Bar changes its visual appearance with the season. Menus and window designs get a new look. For the winter season 2014, its visual concept was based on silhouette paper cuts.

The new year’s invitation uses iridescent foil stamping on cardboard.

2014

«Les réformes structurelles» are two black and white silk foulards designed in cooperation with Julia Hartmann (http://juliahartmann.com/). The scarves were released under a self-initiated label called «Twain Sequence» .

Purchase here: http://twainsequence.bigcartel.com/

2014

Handmade Typography for a poster announcing a documentary film about Berlin’s underground scene in the early 1990’s.

2010

Flyer to announce the new address of the atelier. Two-colour Risograph print.

Business Cards on black cardboard with black and white hot-foil stamping.

2015